Back in 1999, when I contemplated going pro, I had a decision to make. I could do science fiction, since that was where the sandbox I’d been playing in lay. Or I could do crime. At the time, science fiction was actually in a low cycle. The shelves at Borders and Barnes & Noble were dominated by franchise tie-ins: Star Trek, Star Wars, Pern novels if you wanted something original.
On the other hand, crime was literary. It had a long and storied history. PIs were big. Thrilling Detective!
The real reason I went the direction I did? The best I could do was retread Star Trek, and Star Trek was starting to run on fumes at that point. Anything I could come up with would just be another thinly disguised version of the show. But crime?
Hey, Cleveland didn’t have a PI. (OK, it had one, which still made it a novelty.) I had a character. Plus, I was just so freakin’ bored with science fiction. By going into crime, I discovered not only the PI masters, but new writers like George Pelecanos and Laura Lippman. I read Mystic River and discovered everything a novel could be if you put enough into it. So I went crime.
I won’t rehash here the reasons Holland Bay will likely be my last crime novel. But why science fiction? Why did my Dick write a novel. (Oh, you knew I was going to trot out that old joke, didn’t you?)
There was something I remembered from the 1990s. Nerds, when they find something they love, latch onto it. And there’s something about being the guy that creates something like that. Everyone from Ursula K. LeGuin’s thoughtful work to Gene Roddenberry and J. Michael Straczynski have created worlds their fans care about. And there’s something about being the creator of those worlds. It’s fun building those worlds.
Will I continue with crime? It depends on what happens with Holland Bay. And right now, Holland Bay is getting it’s last chance.