Elaine Haskell started out as Nick’s inside link to TTG Insurance. As originally portrayed, she was a loud, brassy middle-aged mom who started out as a cheerleader for the Cleveland Cavaliers. On a sitcom, she would be that larger-than-life female neighbor who likes to stir things up. And that’s where I left her in Northcoast Shakedown. Then in Second Hand Goods, I decided to expand the relationship a bit. Nick working out of TTG as an independent operator was Elaine’s idea, as giving him secretarial support. So as Nick tries to sort out who, exactly, he’s working for, we find he’s come to view Elaine as a partner in his business and a voice for his conscience. So it comes as no surprise when both Nick and Elaine believe he will be dead that the married Elaine sleeps with him. This relationship only gets more complicated in Bad Religion as Elaine’s marriage crumbles while they try to find out who is defrauding a large suburban church. Which brings us to Gypsy’s Kiss.
It’s pretty clear that Elaine is scared. Changes are coming, and she is the one who has to make them. Her marriage is all but over. Her continued employment at TTG is bleeding the business dry. And then there’s Nick Kepler. He is there for her, but he’s not sure how much longer he can wait for her to make the hard decisions. Enter Gypsy. Elaine hates Gypsy, not just because she is a sex worker but because she sees what Nick cannot see. Gypsy wants Nick for herself.
In a way, Elaine is why this story has to be where Nick’s saga ends. The sexual and emotional tension between Nick and Elaine is there from the moment she first appears. By the time Bad Religion concludes, that tension is so intense that it requires some sort of resolution. But the tension has become central to Nick’s story. Resolving it or changing it would mean the story is over. And so Elaine’s final role in the tale is to give Nick Kepler some long-missing closure, the change in his life he’s been seeking since long before she even appeared in the series.