Since I finished the SF novel (Since Dick completed his debut novel), I’ve switched to writing first thing in the morning. Some days, I only write 500 words. Some days, I can get in 1000 or better. Quite a few days, I’ll wake up my wife to get her shower, sit back down, and realize, “Idowannastopwriting!”
Those are good days. In the evening (like in a few minutes after I post this), I do hooks for new and existing stories. For shorts, that doesn’t take long at all if I know the story. If I don’t, I write sketches and come back to them later.
And then we get to Holland Bay.
I am pleased with this book overall, but this time I printed out the novel (while waiting on an edit I’m trading with someone else). And…
Yeah, I should have printed this out the first time. One thing I’ve noticed that I did not notice during the previous read-thru, which was electronic, is that I tend to repeat information. Somewhere in the process of drafting, I forget whether I mention some piece of information pertinent to the situation. Such as a suspension bridge being built in the city that looms over the titular neighborhood in Holland Bay. I describe it in some detail early on, then think, “ZOMG! Did I mention it’s going out to the island where one of the city’s boroughs lies?” Yes. I did. Several times.
So we cut again. And cut. And cut. One blogger calls editing “pruning.” I know of editors who cut for the sake of cutting, which really annoys me. If you’re default position is to cut, what happens if the writer left something out? If a cut makes the story better, then out a passage should come. If a cut is just to get to that mythical 10% quota, you are wasting the writer’s (and the reader’s) time and, most likely, money.
Editing is usually the last thing I do in the evening at the moment. I’m about 3/4 of the way through the manuscript. Early on, I excised whole paragraphs and made “WTF” notes on a lot of scenes. Now we’re getting toward the end where, at least in this version of Holland Bay, I knew the story better. Now the errors are more leaving things out, sometimes whole scenes, but more often a word or two of dialog. “He crossed the to the stadium.” The what? The railroad tracks? Hoover Dam? The universe? Things like that.
I am two weeks from the end the semester at school, which means I will have more time to revise. During this time, all new writing is short fiction, maybe a novella or two, and articles where I find the opportunities. I’d state a goal to finish revising here, but I’ve done that before in this and other spaces. I envy local author Sara Celi (whose book The Undesirable will be featured here next Friday.) She’s probably busier than I am, and just announced hitting the 50,000-word mark in one month on a new book. (Helps when the book grabs you by the lapels and screams “Write me, damn you!” For me, that only happened with Road Rules.)
I’ll be finished with the red ink this weekend. And then it’s off to reread “Gypsy’s Kiss” for a serious reworking. (Not happy with that one. Call that writer’s remorse) and outlining a prequel novella for Dick. What’s that? Well, I never told you the title of the SF novel (let alone Dick’s real name), so I’ll give you this tantalizing tidbit: The novella’s title, premise, and, while we’re at it, marketing gimmick is Only the First One’s Free.
Speaking of free, how would you like a free book? I’ll give twenty people a copy of Road Rules or The Compleat Winter if they promise to review it honestly. I’m not bribing you to write a good review. I’m bribing you just to talk about it. Fair enough? Ebook copies only. We’ll look at a contest for print editions, especially when I make an announcement about Road Rules later this spring. Hit me up at firstname.lastname@example.org if you want a copy.